Saturday 1 September 2012

Ancestors

Around 60 years ago, a man was out ploughing his field in Alta when he found a large rock with an ornate carving of a human female on it. Over the course of the next few years people discovered a massive amount of local rock art dating from between 7000 and 2000 years ago. Much of it is concentrated in a place called Hjemmeluft, right at the edge of the Fjord, where the creators congregated for thousands of years. There's a museum there, where you can walk out along a raised wooden causeway and see for yourself.



As ever, you can click on these images to enlarge them.

Up until quite recently the carvings were painted red to make them more visible. Now this is considered bad form, so any newly found carvings are being left untouched and there is a project underway to remove the paint on the others. Without the paint they look like this:


Many of the images depict animals, people and boats. Although some seem a little cryptic, it's amazing how easy it is to recognise many of the motifs. These people could communicate a lot of information with only a few lines.



My favourite was this image of a man catching a fish (below).  It has been suggested that the bear and the fish are meeting in another world, to which the water is the gateway.



When you think about how long this style of art was practiced in comparison to the later more "realistic" European style of painting and drawing, the latter seems like a tiny anomaly. Especially when you consider the return to abstraction in the 20th Century. That people were meeting up here in the same small area of the arctic and practicing this tradition right through from the late Neolithic period to the start of the Christian calender is mind-blowing.

Even weirder is that I drew those same stick-men when I was a child. You probably did too.


2 comments:

  1. I appreciate what they mean about the red colouring being bad form, but it does bring out the impact of the drawings. Quite amazing.

    ReplyDelete
    Replies
    1. That's true, and especially so in photos. The rocks with the coloured images are really exciting to look at. One advantage of the unpainted carvings though is that you can really see how they were made; the colouring brings out the motifs but can obscure the texture and individual cuts in the rock a bit.

      It's definitely a difficult issue and I'm sure that some people feel the changes are a bit like vandalism. Personally, I was glad to see some untouched and I think it's a good idea not to colour any new finds, but I'm not sure I see the need to remove the pigment from all those that have been altered. It seems to me that's a part of their history now.

      Delete